French existentialist philosopher Gabriel Marcel is one of the most influential thinkers of the twentieth century. The central themes of his philosophy, which are developed with a blend of realism, concreteness, and common sense, continue to be relevant for the plight of humanity in the twentieth-first century. Marcel's thought emphasizes: the attempt to safeguard the dignity and integrity of the human person by emphasizing the inadequacy of the materialistic life and the unavoidable human need for transcendence; the (...) inability of philosophy to capture the profundity and depth of key human experiences, and so the need to find a deeper kind of reflection; the importance of the experience of inter-subjectivity, which Marcel believes is at the root of human fulfillment, and which also finds expression in the transcendent dimension of human experience, a dimension that cannot be denied without loss, and that often gives meaning to our most profound experiences. Marcel is also one of the few contemporary thinkers who manages to do justice to the subjectivity and individuality of the human person, while avoiding the relativism and skepticism that has tended to accompany these notions, and that has plagued contemporary philosophy after Heidegger. He makes an unwavering effort to challenge the moral relativism and spiritual nihilism of his French rival, Jean-Paul Sartre, and of other representative existentialist philosophers. All of Marcel's important ideas are introduced here, ranging from his unique conception of philosophy; to his original approach to epistemology and the nature of knowledge; to his view on the nature of the human person, including the idea of being-in-a-situation and the importance of the "context" that the subject lives in for the subject's ideas and experiences; to his approach to religious themes, including the issues of the rationality of religious belief, the question of God's existence, and our longing for the transcendent; and his "concrete approaches" of fidelity, hope, love and faith. There are also selections in which he discusses some of his misgivings about the direction of contemporary culture, especially the effects of technology. Brendan Sweetman is Professor of Philosophy at Rockhurst University, Kansas City, MO. He has published over seventy articles and reviews. He is president of the Gabriel Marcel Society. (shrink)

Act Three of Gabriel Marcel’s play, The Emissary, is presented here in English for the first time. The introductory essay introduces Marcel and several of his best known themes, especially the distinctions between problem and mystery, and primary and secondary reflection. Focusing on the relationship between experience and conceptual knowledge, it discusses Marcel’s attempt to argue philosophically for a return to ordinary experience. The role of drama and art in the recovery of the realm of mystery (...) is also highlighted. The play illustrates these themes at the concrete level as it raises many of the challenging situations and moral dilemmas that emerged from the occupation of France by a brutal enemy during World War II. The realities of deceit, betrayal and blackmail are all in the air, as are real worries about reprisals, violence, and irreparable loss. In a moving, gripping drama, Marcel portrays the occupation as an occasion for deep soul-searching among the characters, in the midst of great suffering and loss, and, rather than passing easy judgment, he suggests a journey toward healing, one inspired by compassion, honesty, courage, and faith. (shrink)

An exposition in five parts of the character of existentialist philosophy, including an analysis of the theories of Jean-Paul Sartre. Author Gabriel Marcel, a famous French dramatist, philosopher, and author of Le Dard, was a leading exponent of Christian existentialism.

La singularité de la démarche philosophique de Gabriel Marcel vient de ce qu'elle renoue avec ses origines socratiques ; elle se fonde résolument sur le concret, c'est-à-dire le corps-propre (par oposition au corps-objet ou instrument), la sensation traitée comme manière d'être au monde plutôt que comme message, la mémoire, la volonté.

This volume presents two works by Gabriel Marcel.

The article focuses on one of the central themes of Gabriel Marcel’s thought: the afterlife and the presence of the dead. Marcel approaches such a “mystery” through his plays, one of the most important aspects of his thought.

v. 1. Reflection & mystery -- v. 2. Faith & reality.

Gabriel Marcel discusses his philosophical views and contrasts them with those of Sartre and Brecht.

L'homme problématique. Les questions fondamentales sur l'essence ou sur la destinée de l'homme, auxquelles la science ne peut apporter aucune réponse, seraient-elles insolubles, ou même dénuées de sens? Il appartient à la liberté humaine de se libérer en quelque sorte d'elle-même, c'est-à-dire de sa disposition perverse à affirmer sa propre autosuffisance. L'inquiétude humaine : chez St Augustin, Pascal, Kierkegaard, Nietzsche, Sartre, Goethe. Angoisse - paralysie ; inquiétude - aiguillon, principe de dépassement, chemin que nous avons à gravir pour accéder à (...) la paix véritable. Position et approches concrètes du mystère ontologique. Le texte fondamental, le " discours de la méthode " de Gabriel Marcel. (shrink)

Esta conferencia de 1951, impartida por Gabriel Marcel en Marruecos, Brasil y otros países latinoamericanos, tiene dos pilares sobre los que está construida: la muerte y la intersubjetividad. Ambos corresponden a la inquietud que llevó a este autor a la filosofía: “¿Dónde están los muertos?”. O, en otras palabras: ¿Es posible sobrevivir a la muerte? Estas preguntas son producidas por la turbación que ge-nera el separarse de los seres amados, pues la unión intersubjetiva que se alcanza con ellos (...) y que se experimenta como plenitud, se ve allí comprometida. De hecho, este vínculo particular hace que Marcel distinga el plano de lo intersubjetivo de lo objetivo. Con base en ello, rechaza comprender la muerte del ser amado como si fuera éste un objeto para tratarlo como un sujeto –un tú–, abriendo así un camino diferente de reflexión sobre la inmortalidad. (shrink)

Le 'Journal métaphysique', qui, primitivement, n'était pas destiné à la publication, est constitué par un ensemble de notes philosophiques rédigées au jour le jour. L'évidente différence de style entre les deux parties tient au fait que sous la pression de la guerre la pensée de l'auteur s'est tournée de plus en plus résolument vers le concret, vers l'existentiel, qui a trouvé dans le Journal métaphysique une des premières expressions qu'il ait revêtues en France. Il ne faut d'ailleurs pas parler de (...) l'existentialisme, mais une thématique de l'existence considérée dans sa spécificité tend à s'y constituer par une réflexion qui se concentre de plus en plus sur le corps propre (par opposition au corps-objet ou instrument), sur la sensation traitée non plus comme message mais comme façon d'être au monde, sur la mémoire, sur la volonté, etc. Des phénomènes métaphysiques tels que la télépathie, la lecture de pensées, etc. sont considérés avec une attention particulière et l'auteur va jusqu'à se demander s'il ne conviendrait pas d'inverser la relation communément pré-supposée entre le psychologique et le métapsychique et si la clef des phénomènes dits normaux ne devrait pas être cherchée dans le supra-normal. (shrink)

We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

My fundamental purpose (1937)--Metaphysical journal (1938-43)--Presence and immortality (1951)--The unfathomable, an unfinished play (March 1919).